If you read nothing else from Benedict XVI this week, do take the time to read this. It is something very special, addressed to a gathering of “representatives from the world of culture” (only the French could think up something like that) at the Collège des Bernardins in Paris about a fortnight ago (12 September 2008).
The whole speech gives an insight in the heart of Benedict’s thought. He began his speech by announcing the topic he wished to discuss:
I would like to speak with you this evening of the origins of western theology and the roots of European culture.
A modest (!) aim? And even more interesting, can we assume that his audience would be interested in such a reflection? Whether they were or whether they were not, what they got was a speech which was, I think, on the same level as the Regensburg Address in terms of Benedict’s “big picture” vision.
Some significant snippets to whet your appetite.
On the search for God:
First and foremost, it must be frankly admitted straight away that it was not their intention to create a culture nor even to preserve a culture from the past. Their motivation was much more basic. Their goal was: quaerere Deum.
…Our present situation differs in many respects from the one that Paul encountered in Athens, yet despite the difference, the two situations also have much in common. Our cities are no longer filled with altars and with images of multiple deities. God has truly become for many the great unknown. But just as in the past, when behind the many images of God the question concerning the unknown God was hidden and present, so too the present absence of God is silently besieged by the question concerning him. Quaerere Deum – to seek God and to let oneself be found by him, that is today no less necessary than in former times. A purely positivistic culture which tried to drive the question concerning God into the subjective realm, as being unscientific, would be the capitulation of reason, the renunciation of its highest possibilities, and hence a disaster for humanity, with very grave consequences. What gave Europe’s culture its foundation – the search for God and the readiness to listen to him – remains today the basis of any genuine culture.
On the importance of Music and Song in liturgical prayer:
For prayer that issues from the word of God, speech is not enough: music is required. Two chants from the Christian liturgy come from biblical texts in which they are placed on the lips of angels: the Gloria, which is sung by the angels at the birth of Jesus, and the Sanctus, which according to Isaiah 6 is the cry of the seraphim who stand directly before God. Christian worship is therefore an invitation to sing with the angels, and thus to lead the word to its highest destination.
…For [St.] Benedict, the words of the Psalm: coram angelis psallam Tibi, Domine – in the presence of the angels, I will sing your praise (cf. 138:1) – are the decisive rule governing the prayer and chant of the monks. What this expresses is the awareness that in communal prayer one is singing in the presence of the entire heavenly court, and is thereby measured according to the very highest standards: that one is praying and singing in such a way as to harmonize with the music of the noble spirits who were considered the originators of the harmony of the cosmos, the music of the spheres. From this perspective one can understand the seriousness of a remark by Saint Bernard of Clairvaux, who used an expression from the Platonic tradition handed down by Augustine, to pass judgement on the poor singing of monks, which for him was evidently very far from being a mishap of only minor importance. He describes the confusion resulting from a poorly executed chant as a falling into the “zone of dissimilarity” – the regio dissimilitudinis. Augustine had borrowed this phrase from Platonic philosophy, in order to designate his condition prior to conversion (cf. Confessions, VII, 10.16): man, who is created in God’s likeness, falls in his godforsakenness into the “zone of dissimilarity” – into a remoteness from God, in which he no longer reflects him, and so has become dissimilar not only to God, but to himself, to what being human truly is. Bernard is certainly putting it strongly when he uses this phrase, which indicates man’s falling away from himself, to describe bad singing by monks. But it shows how seriously he viewed the matter. It shows that the culture of singing is also the culture of being, and that the monks have to pray and sing in a manner commensurate with the grandeur of the word handed down to them, with its claim on true beauty.
This intrinsic requirement of speaking with God and singing of him with words he himself has given, is what gave rise to the great tradition of Western music. It was not a form of private “creativity”, in which the individual leaves a memorial to himself and makes self-representation his essential criterion. Rather it is about vigilantly recognizing with the “ears of the heart” the inner laws of the music of creation, the archetypes of music that the Creator built into his world and into men, and thus discovering music that is worthy of God, and at the same time truly worthy of man, music whose worthiness resounds in purity.
On the Hermeneutical Key to Scripture:
The Bible, considered from a purely historical and literary perspective, is not simply a book, but a collection of literary texts which were redacted over the course of more than a thousand years, and in which the inner unity of the individual books is not immediately apparent. On the contrary, there are visible tensions between them. This is already the case within the Bible of Israel, which we Christians call the Old Testament. It is only rectified when we as Christians link the New Testament writings as, so to speak, a hermeneutical key with the Bible of Israel, and so understand the latter as the journey towards Christ. With good reason, the New Testament generally designates the Bible not as “the Scripture” but as “the Scriptures”, which, when taken together, are naturally then regarded as the one word of God to us. But the use of this plural makes it quite clear that the word of God only comes to us through the human word and through human words, that God only speaks to us through the humanity of human agents, through their words and their history.
This means again that the divine element in the word and in the words is not self-evident. To say this in a modern way: the unity of the biblical books and the divine character of their words cannot be grasped by purely historical methods. The historical element is seen in the multiplicity and the humanity. From this perspective one can understand the formulation of a medieval couplet that at first sight appears rather disconcerting: littera gesta docet – quid credas allegoria … (cf. Augustine of Dacia, Rotulus pugillaris, I). The letter indicates the facts; what you have to believe is indicated by allegory, that is to say, by Christological and pneumatological exegesis.
We may put it even more simply: Scripture requires exegesis, and it requires the context of the community in which it came to birth and in which it is lived. This is where its unity is to be found, and here too its unifying meaning is opened up. To put it yet another way: there are dimensions of meaning in the word and in words which only come to light within the living community of this history-generating word. Through the growing realization of the different layers of meaning, the word is not devalued, but in fact appears in its full grandeur and dignity.
Catechism of the Catholic Church can rightly say that Christianity does not simply represent a religion of the book in the classical sense (cf. par. 108). It perceives in the words the Word, the Logos itself, which spreads its mystery through this multiplicity and the reality of a human history. This particular structure of the Bible issues a constantly new challenge to every generation. It excludes by its nature everything that today is known as fundamentalism. In effect, the word of God can never simply be equated with the letter of the text. To attain to it involves a transcending and a process of understanding, led by the inner movement of the whole and hence it also has to become a process of living. Only within the dynamic unity of the whole are the many books one book. The Word of God and his action in the world are revealed only in the word and history of human beings.
Well. If you have read this far, why not go and read all of it.